Sham holds a Master of Arts in Sound Studies and Sonic Arts from the Universität der Künste Berlin (UdK) and a Bachelor of Fine Arts in Sound Design from the Hong Kong Academy for Performing Arts (HKAPA). Sham has collaborated with various theatre groups, festivals, and independent artists in Hong Kong.
In 2021, Sham’s spatial audio composition “What is your Soundmark of the year?” was awarded the golden prize of the Europe’s Fifth Student 3D Audio Production Competition (Soundscape/Audio drama), organized by the Verband Deutscher Tonmeister*innen (VDT), a world-leading professional association for audio professionals. He has also been the contributing artist of a collective art project “Windwall“, a sound sculpture consisting of 4000 harmonicas collected worldwide. A pilot event was presented at the East Side Gallery accompanied by several concerts in Sep 2021.
His recent audio projects include:
Ambisonics installation “Exclave” (Brotfabrik, Berlin, 2023)
Interactive installation “3 Dishes 1 Soup” (SpeicherN, Potsdam, 2023)
Feedback installation “The Plague” (PQ, Prague, 2023)
Audiovisual installation “On My Way Home” (CHB, Berlin, 2024)
Interactive exhibition / binaural audio walk “My Belongings: Hearing the Sound Story of 118.4 Feet” (Hong Kong, 2025)
Interactive audio walk / 32.1 Ambisonics installation “Transverse” (Hong Kong, 2025)
Head-tracking binaural / 20.1 Ambisonics audio theatre “Underground” (Seoul; premiered in 2024, rerun in 2026, scheduled for rerun in 2027)
Ambisonics theatre production “Life of Man” (Hong Kong, 2026)
Head-tracking device experiment “Back & Forth” (Hong Kong, 2026)
One of his frequent artistic partners is the widely acclaimed Hong Kong theatre company On & On Theatre Workshop, in which he has contributed to projects ranging from original text-based theatre to participatory documentary theatre, namely, The Phenomenon of Man: REVOLVER (2017), The Plot (2018), Best Wishes (2018), Ballads of Expulsion (2019) , On a New Day (2023), With Love, Medea’s Boys (2024) and most recently In A Perfect World (2025).
In 2018, The Furies Variations of Rooftop Productions, in which he participated as a sound designer and live musician, earned him and his team the Best Stage Aesthetics Design in the 11th Hong Kong Theatre Libre.
Besides theatre works, he has extended his realm of sound design to contemporary dance since 2017. He collaborated with Y-space in Room X (2017), as well as independent choreographers KT Yau and Fai Tsang. He contributed to KT Yau’s recent work “The moment” (2024) and “Lost in Body Translation” (2026).
In 2022, Tat Sham and Miu Law formed a creative duo “Paperback Sketch”, their first directorial piece is “執行舞台”.
Sham is currently participating in the 2026 creator fellowship program at Asian Cultural Center (ACC) in Gwangju, spending his tenure developing a kinetic Immersive audio installation.
Tat Sham 